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简介(简)
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《马戏团杂耍》是乔治·修拉 1887—1888 年的布面油画,99.7×149.9 厘米,画的是科尔维马戏团在巴黎民族广场的招揽巡游:搭台、吹号、卖票,把路人引进帐篷。那是个工人区的广场,晚上有集市与游乐。这是修拉第一幅夜景,也是他第一幅拿大众娱乐当题材的画。 天黑了。画面正中一个戴尖顶高帽的人站在小台上,抱着长号,号口朝下;他左边三名穿制服、戴圆帽的乐手并排站在栏杆后;最上方横着一排煤气灯的火苗,最下方是一排观众的头顶。整幅画没有一个人看向别人。 1888 年在独立艺术家沙龙展出时,这是修拉最不受欢迎的作品之一:评论家觉得冷、空、像海报。它也没有被法国机构收藏,后来经斯蒂芬·克拉克的遗赠进入纽约大都会艺术博物馆。修拉 1891 年去世,终年三十一岁。围绕这个题材他磨了近六年,画了大量习作;后来的野兽派接走了它的纯色,立体派接走了它的平面化。
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简介(英)
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Circus Sideshow is an oil on canvas of 1887-88, 99.7 x 149.9 cm, showing the Corvi circus's sideshow parade at the Place de la Nation in Paris - platform, brass band and ticket-selling designed to draw passers into the tent, in a working-class square that had its fairground at night. It is Seurat's first night scene and his first subject taken from mass entertainment. Dark has fallen. At the centre a man in a conical hat stands on a little platform holding a trombone bell-down; to his left three uniformed players in bowler hats stand in a row behind a rail; a line of gas flames runs along the top and a row of spectators' heads along the bottom. Not one of them looks at another. Shown at the Salon des Independants in 1888, it was among the least well received things Seurat ever exhibited - cold, empty, like a poster, the critics said. No French institution wanted it; it reached the Metropolitan Museum through the bequest of Stephen C. Clark. Seurat died in 1891, aged thirty-one, having worked the subject for nearly six years in studies and drafts. Fauvism took its pure colour from here, Cubism its flatness.
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来源包(jsonb)
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[ { "id": "S1", "url": "https://www.metmuseum.org/art/collection/search/437654", "text": "大都会艺术博物馆藏品页:Georges Seurat, Circus Sideshow (Parade de cirque), 1887-88 (61.101.17)" }, { "id": "S2", "url": "https://en.wikipedia.org/wiki/Parade_de_cirque", "text": "Wikipedia: Parade de cirque(Circus Sideshow)" }, { "id": "S3", "url": "https://en.wikipedia.org/wiki/Georges_Seurat", "text": "Wikipedia: Georges Seurat(新印象派、分割法与线条理论)" } ]
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